Foot Infection III, '82, Acrylic on Purple Mylar with Mixed Media on Foam Core Attachment, Combined Size Attached 69 x 53 inches, Copyright Christopher SharitsIMGP1664untrue love 82melting cubes

Writings by Paul Sharits

“Red, Blue, Godard,” Film Quarterly , Vol . 19, Summer, 1966 pp . 24-29 .

“Notes on Films,” Film Culture , No . 47, Summer, 1969, pp . 13-16 .

“Interview” by Jud Yalkut, East Village Other , July 16, 1969 .

“Notes on Films,” Inter funktionen , No . 4, 1970 .

“Blank Deflections : Golden Cinema,” Film Culture , No . 48/49 Winter & Spring 1970, pp . 20-22 .

“Words Per Page,” German translation by Birgit Hein, Xscreen . Cologne : Phaidon-Verlag GmbH ., 1971 .

“Words Per Page,” Afterimage , No . 4, Autumn, 1972, pp . 27-43 .

“Words Per Page,” Form and Structure in Recent Film at the Vancouver Art Gallery . Dennis Wheeler, ed . Vancouver : Talonbooks, 1973 .

“Notes on Film,” New Forms in Film, Cinema d’avant-garde americaine Annette Michelson, ed . Montreux : Film Festival, 1974 . .

“Hi ‘ hay yeh folks, step on in ‘and’ transverse ‘yr present’ position” (letter of dedication of T,O,U,C,H,I,N,G to David Franks) to be published in forthcoming Film Culture . “UR(i)N(ul)LS :STREAM : S :S :ECTION :s :s :ECTIONED : (A) (lysis) , JO :’1968- 70′,” to be published in forthcoming Film Culture .

“Letter,” Flash Art, No . 48/49, October-November, 1974 .

“Regarding the Frozen Film Frame Series : A Statement for the 5th International Experimental Film Festival,” Knokke, Belgium, 1974 .

“Eight Interviews/Statements (concerning Matisse),” Jean-Calude Lebensztejn, ed . Art in America , 63, July-August, 1975 .

“Hearing : Seeing, Cinema as Cognition,” Ausgabe , No . 2, Summer, 1976

“A Cinematics Model for Film Studies in Higher Education,” Quarterly Review of Film Studies , Vol . 1, #4, November, 1976 .

‘Hearing : Seeing” (translated into German) Ausgabe 2, Berlin, 1976 .

“Hearing : Seeing” and “Cinema As Cognition,” in forthcoming Afterimage .

“Epileptic Seizure comparison” (notes and diagrams for the film piece), Niagara Magazine (Buffalo, summer 1976)

“Epileptic Seizure Comparison” (notes, diagrams, photos of the piece), Illusions of Reality exhibition catalogĀ , Australia, 1977 .

“I Feel Free . . .” (statement on work in general and “Frozen Film Frames,” photos) Open to New Ideas : A Collection of New Art for Jimmy Carter, exhibition catalogue Georgia Museum of Art, ens, Georgia, 1976 .

“Frozen Frames : T,O,U,C,H,I,N,G”, Melba #1 (with photos), Paris, November,1976 .

“Notes on N :O :T :H :I :N :G” in Experimental Animation : An Illustrated Anthology by Robert Russett & Cecile Starr (Van Nostrand Reinhold, New York, 1976) .

“Words Per Page” in Esthetics Contemporary , ed . Richard Kostelanetz (Prometheus Books, Buffalo, New York, 1977) .

“Postscript as Preface,” “-UR(i)N(ul)LS :TREAM :S :S :ECTION :S :SECTION : S :S :ECTIONED(A)(LYSIS)JO : ‘1968 – 70’,” “Words Per Page,” “A Cinematic Model for Film Studies in Higher Education,” “Hearing : Seeing,” “Cinema as Cognition : Introductory Remarks,” “Statement Regarding Multiple Screen/Sound ‘Locational’ Film Environments-Installations (1976),” “Exhibition/Frozen Frames,” “‘hi’hay yeh folks, step on in ‘&’ transverse ‘yr present’ position,” Film Culture :Paul Sharits No . 65-66, 1978, New York .